The novel ‘Itha’ presents a remarkable blend of history and storytelling, shedding light on social, political, and gender-related issues from 2,400 years ago. The three female protagonists — Nayantara, Sairandri, and Vasudha — embody symbols of female existence, strength, and rebellion. ‘Itha’ delivers a sharp critique of religious superstitions, patriarchal structures, and the relationship between power and religion, while also addressing contemporary social concerns.
Whether your interest lies primarily in storytelling or in history, Keshav Dahal’s new novel ‘Itha’ could be your choice; and if you appreciate both, it becomes even more engrossing. This is because ‘Itha’ offers an extraordinary convergence of history and narrative. As I read ‘Itha,’ I experienced just that — a story like history and history like a story.
The novel begins with Vasudha’s rebellion. Vasudha’s self-immolation, after being rejected from marriage due to a ‘blemish’ on her body, is not merely a personal tragedy but a silent yet fierce resistance against patriarchal values and social structures. This marks the novel’s central tone — exposing male arrogance and the injustice inflicted on women.
Nayantara is the novel’s central character, and her revolt forms its backbone. The clash between King Pramati’s arrogance and Nayantara’s defiance demonstrates that women are not just victims but powerful agents of resistance. The novel also offers a harsh critique of religious superstition, portraying religion not only as faith but also as a vehicle for acquiring power and authority.
Reading ‘Itha’ is not just about following a story; it is about experiencing an era, a consciousness, and a spirit of rebellion. The novel provides not only entertainment but also inspires questioning and reevaluating accepted beliefs.
