The Display of Jinnah’s Portrait Sparks Controversy in Bangladesh’s Historical Narrative

The installation of Muhammad Ali Jinnah’s portrait at the University of Dhaka’s museum has intensified debates in Bangladesh related to history, nationalism, religion, and language. After students removed and defaced the portrait, fresh discussions emerged. Some critics accuse Jinnah of overshadowing the language movement and the role of Sheikh Mujibur Rahman. The Dhaka University Central Students’ Union (DUCSU) defended the portrait as part of a historical exhibition, but disagreements about its appropriateness persist between critics and students. Dhaka, September 22 (RASS/AFP).

The display of Pakistan’s founder, Muhammad Ali Jinnah’s portrait, in the new museum at the University of Dhaka has heightened controversy over the interpretation of history, nationalism, religion, and language in Bangladesh. Abu Tayeb Habildar, a university student, stated that although Jinnah founded Pakistan, he opposed the Bengali language and the community’s rights, calling for a nuanced reevaluation of his role in Bangladesh. After the 1947 partition of India, Pakistan consisted of its eastern and western wings, with present-day Bangladesh formerly being East Pakistan until its independence in 1971 following a war marked by alleged widespread Pakistani military atrocities.

Jinnah’s legacy remains contentious in Bangladesh due to his campaign for a Muslim nation, which continues to evoke strong opinions. Political analyst Altaf Parvez noted that attempts to seek new symbols in Islamist politics have led to increased discussions about Jinnah. Meanwhile, the Dhaka University Central Students’ Union stated that Jinnah’s portrait is part of an exhibition showcasing historical events in chronological order. DUCSU leader S.M. Farhad condemned the vandalism of the portrait, asserting that displaying historical events should not be considered wrong.